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One of my favorite things about creating looping GIFs is that they’re a relatively simple way to showcase your design and illustration skills. Plus, they don’t require a ton of production time, they’re fun to make, and they’re a great method for economizing the animation process. So much win.

As an illustrator, animator, and animation director, I’ve become more and more involved in creating looping GIFs, both for personal and commercial use, over the last few years. So, since I’m frequently asked about my process, I’d like to share what I’ve learned about designing a “successful” looping GIF.

For me, this is the most challenging step. I try to come up with an idea that will be funny and engaging, but also simple to understand. And, of course, it’s got to work as a looping GIF.

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As an example, let’s talk about my . I created a GIF for each episode in season 6, and the challenge was to take scenes—often very violent ones—and turn them into cute GIFs that function as a TL;DR version of the episode.

Below, watch a 15-second GIF that combines 3-4 mini-loops that create a meaningful story. The “net” animation is around 5-6 seconds, so by telling a story through loops I can also save myself some work.

A minimalistic approach during the design stage will give you more freedom in the animation stage. As a general rule of thumb: the simpler and cleaner the design, the easier the animation will be. A complex design contains many details, shades,  etc. that you’ll need to pay close attention to in

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I like to employ basic geometric shapes and flat color schemes. I also avoid unnecessary details like fingers and toes, and I use simple strokes for hands and legs—it’s much easier to animate than a detailed arm with shades, variable thickness, and anatomic accuracy. Simple strokes as limbs allow you to stretch them, squeeze them, and play with them almost like spaghetti—and they still keep their original thickness.

Within these limitations, I can play with exaggerating some features to add humor, distinct style, and visual interest: a huge body with a tiny face, extremely thick arms or very long and thin arms, etc.  I also find that the animation of simple characters is more graceful and expressive.

To explain what I mean, here’s a GIF of the talented Simone Biles. Look closely and you can see that the character is designed with only basic elements: simple strokes as limbs, a thicker stroke as the body, and 2 perfect circles as the head and hair. That’s it!

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And with that basic design, I can play much more easily than if it were built in a realistic, more detailed way. All those crazy flips would be challenging to execute if the design weren’t simple.

Since it’s automatically played over and over again, looping GIFs need to be perfect—otherwise flaws are easy to spot, not to mention distracting. So pay a lot of attention to details. Give extra attention to

Frame of your animation to ensure the loop turns out seamless. I aspire to create a smooth animation, and sometimes I use classic animation to make small adjustments like hair flapping or limb movements (simple design comes in handy here, too). Since in most cases looping GIFs are short, it’s worth the effort.

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To make the animation work as a loop, the first thing I do is create the first and the last frames so that they’re combined smoothly with one another. Then I move on to creating the body of the animation.

I'm an illustrator, animator, and animation director, an advocate of minimalist design. Specializing in creating and animating characters for vast animation projects such as explanatory videos, TV series, commercials, sticker packs, brand characters, editorials, and more. I contributed animations and illustrations to diverse companies and clients such as Google, Walmart, Hasbro, Expedia, and more. I love making GIFs for both personal and commercial projects.Thousands of animators have discovered our post 51 Great Animation Exercises to Master. It’s time to get to practicing once again with this sequel, all about animated loops!

An animated loop can technically be boiled down to just two drawings, though three or more tends to be a better choice. Whether you decide to make your loop five frames or five hundred, keep in mind these Loop tips by Eran Mendel as you plan. The last frame of your clip should feed right back into your first frame so it can be set to repeat endlessly.

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From the days of the Phenakistiscope, animators discovered loops were a way to create short stories while keeping frames to a minimum. You can create an animated loop to use (in moderation) as part of a longer animated short, or to include in a demo reel, or make it into a gif to share online. Whatever the final presentation, the effort you put in will continue to improve your skill as an animator. The only way to master this craft is to put in the work, so get looping!

Whether you decide to tackle all 51 or just start with the bouncing ball, commit that today you’re going to put your best foot forward and get something accomplished. Declare which loop you’re going to try in the comments below, and post a link when you’re finished. Plus if you have a loop you enjoy animating that isn’t on the list, share the idea with the rest of us!

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James will use his 15+ years of experience as a professional animator to teach you everything he knows about making animated loops, which he’s made A LOT of. Whether you want your characters to be running, jumping, or spinning in 2D, 3D, or isometric scenes, this course covers it all.

From fundamental loop theory through to inspiration on how to generate your own loop ideas, you’ll come out of this course fully prepared to start taking on the world with your own never-ending animations. Whether you’re an experienced animator or an illustrator looking to spice up your portfolio with some motion, you can quickly learn how to create seamlessly infinite animations perfect for posting on social media.

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I’m a British illustrator, animator and director based in Los Angeles with over 15 years experience in working on a wide variety of projects including video games, music videos, commercials, and print.

Most recently I’ve specialised in creating animated loops, regularly working with clients such as Samsung, eBay, Nike and Disney while also making many loops just for fun, including for my Gifathons – 30 GIFs in 30 days in New York City, Los Angeles, and Tokyo.

Learn the fundamental theory behind creating great animated loops, then we’ll get into the swing of things by creating your first looping animation with the basic shape of what will later become your character.

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Expand your design into a fully rigged character, ready to throw into any kind of loop you can think of, by learning how to create simple character designs suitable for many different loop techniques. We’ll also discuss best practices for creating loops that still look great after being put through the dreaded GIF compression.

Let’s animate your new character! We’ll get them warmed up on a trampoline in a bouncing loop, showing how to use overlapping animation to make short repeating actions feel continuous, while adding lots of detail by animating every single part of their body.

We’ll exercise your character a bit more by taking them out for a run, then give them somewhere to run to by animating a scrolling looping background. Learn how to effectively create a parallax effect to give your scene depth and a sense of speed.

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