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. You may not be aware of its key role in the studio’s history, but this story of a young mermaid girl who wants to walk on land and be part of our world made a massive impact. That, and more, will be discussed in these 20 facts about 

Hans Christian Andersen probably didn’t figure that he would have such a lasting cultural impact. However, his fairytales have inspired many movies. Perhaps his most successful story was

. There’s even a statue dedicated to his 1837 story in Copenhagen, Denmark, the city Andersen lived in when the story was published.

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Andersen gave us a mermaid who wanted to walk on land and a sea witch, but do you remember the part of

Where it feels like she is walking on knives with every step she takes? Or when she is offered the chance to kill the prince she loves to return to the land? Or when she dies and turns into sea foam? No? That’s because none of that stuff from the original story made the Disney movie, for obvious reasons.

Film, which means he was still alive when the idea first came to fruition. Disney had plans for an anthology movie based on Andersen's fairytales after the success of

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In 1985 and started to think about adapting it. As recalled in a 2016 interview with Yahoo, Clements and Musker took the idea to Disney production head honcho Jeffrey Katzenberg at an all-hands-on-deck pitch meeting. Katzenberg passed because, at the time, there were plans for a sequel to

. Songwriter Howard Ashman, best known at the time for “Little Shop of Horrors, ” was asked to contribute a song for the latter. This led to Ashman joining the production of

In 1987, which helped turn the movie into a musical. Ashman got composer Alan Menken on board, who had worked with him on “Little Shop of Horrors.

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Initially, there was a minor crab character in the Disney movie. We speak, of course, of Clarence, the British butler crab. Ashman suggested they turn Clarence into Sebastian and make him Jamaican. This also helped push the direction of the music in the film.

. This was probably more about her vibe and personality. Ultimately, the biggest inspiration for the sea witch was Divine, the drag queen character made famous in the works of John Waters.

Disney wanted Bea Arthur to voice Ursula, but she turned them down. After this, they were able to cast Elaine Stritch in the role. However, Stritch and Ashman didn’t get along, so she was booted from the role. At this point, Pat Carroll signed on to play Ursula, and she managed to stick in the role.

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, which changed how voiceover roles were cast forever. You didn’t have to be famous to have a voice in a Disney movie, though some future stars auditioned for this film. Jim Carrey tried out to play Prince Eric, a role that went to Christopher Daniel Barnes. Bill Maher and Michael Richards both auditioned for Scuttle, a part played by veteran comedian Buddy Hackett.

Animator Glen Keane was one of the lead artists in charge of Ariel's character. He has said, such as in a 2018 interview with Brit + Co, that Ariel looks exactly like his wife but with fins. Meanwhile, the personality of the teenage mermaid was based on Alyssa Milano on

Ariel is the first Disney princess with biological siblings, and she has plenty of them. The sisters have tails that cover all seven traditional colors of the rainbow. Ariel is repping green on that front.

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Was the end of an era. This was the last feature film produced by Disney that was animated in the traditional method of hand-painting cels. Digital animation came into play starting with Disney’s next movie,

An alternate version of Ursula’s big song “Poor Unfortunate Souls” would have let us in a little more on the story of the sea witch. This scene went into why Ursula had been banned from the kingdom by Triton. Ultimately, it was cut from the final film, leaving Ursula’s character arc a bit of a mystery.

. A test screening for some rowdy kids got Katzenberg worried that the song wasn’t working. However, as voice actress Jodi Benson relayed to Polygon in 2019, the directors and songwriters fought for it. Another test screening went well enough for the song to be kept, much to the relief of future moviegoers.

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, but he was initially skeptical. He was worried that it was a “girls film” and predicted it would make less money than

. Then, he saw the film come together and came to believe in it. The film made $84.4 million domestically in 1989, making more money in its initial run than any prior animated movie. By the way, that was 64 percent more than

In 1977. It won two awards — Best Original Score and Best Original Song (Under the Sea). By the way, nobody was disappointed they didn’t win the third nomination. That was for Best Original Song for “Kiss the Girl.” Ashman and Menken beat themselves.

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People have a weird preoccupation with the idea that “adult” things have been slipped into Disney movies. Of course, by doing two seconds of research, you find out most of them are dubious — if not provably wrong. (Not all of them, but that’s a story for another day.)

, a rumor surfaced that the priest performing the wedding is showing some, shall we say, excitement in his pants, but it’s actually just his knee. Some also noted that a part of the castle on the VHS cover for the movie was rather phallic, which spiraled into urban legends of aggrieved graphic designers putting one past Disney. There is zero evidence of that, though they did change the look of the cover for the movie's second VHS release.

In truth, Disney was not having much success with animated movies after the 1950s. They started focusing more on live-action films, and animation fell by the wayside.

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As a live-action film. Halle Bailey is playing Ariel, and Melissa McCarthy was cast to bring Ursula to life. We’re also getting Daveed Diggs voicing Sebastian, Javier Bardem as King Triton, and Awkwafina as Scuttle. The film is scheduled to be released in May of 2023.Each November 18th, Disney fans all over the world have a unique opportunity: to observe the birthdays of two of Walt Disney’s greatest stars at the same time!

Even as we enjoy The World’s Most Magical Celebration (50 Years of Walt Disney World), these birthdays-within-a-birthday demand special attention; had that fall date in 1928 not heralded the joint debuts of Mickey and Minnie Mouse…let’s just say that things might have been very different. The little mice did, however, skyrocket to fame as the stars of cinema’s very first animated “talkie, ” and they’ve been together ever since, as both on-screen co-stars and off-screen sweethearts. Appropriately, this essential, inseparable pair are side by side as usual as part of the “Disney Fab 50 Character Collection.” Countless photos have been taken of and with this golden couple–now golden in truth as they gleam beneath the Florida sunshine in front of Cinderella Castle.

Not just spoken sound, but musical sound has been part of Minnie and Mickey’s careers from the start–in fact, in Mickey’s opening scene in “Steamboat Willie” he is whistling, and when Minnie appears on the dock, her carry-on luggage is her guitar and sheet music. The following year, Mickey sang of his devotion to Minnie in “Mickey’s Follies” (1929), when he performed the song “Minnie’s Yoo Hoo, ” which became the couple’s theme. “Minnie’s Yoo Hoo” was written by musician Carl Stalling and Walt Disney himself, and in 1930 became the first published Disney sheet music. Minnie also sang, specializing in popular songs of the day. She accompanied herself on piano for Irving Berlin’s 1924 chestnut “All Alone (By The Telephone)” in “The Gorilla Mystery” (1930), and cut loose with W.C. Handy’s “St. Louis Blues” with Mickey at the keyboard in “Blue Rhythm” (1931).

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Original sheet music of “Minnie’s Yoo Hoo” from 1930 and a “tribute song” 78 rpm picture disc from RCA Victor in 1933. (Author’s collection)

As the tuneful twosome’s fame grew, so too did the musical staff of the Disney studio, and more original numbers were composed for their pictures. Also, a crop of “tribute songs”, ditties written not for screen use but as popular novelties about the animated stars, began to appear. Disney happily provided art for the song sheets and phonograph recordings, making “Mickey Mouse music” a part of daily home life.

Minnie and her beau became one of filmdom’s most romantic couples; many of their rollicking adventures ended with a sweet smooch at the fade-out, and happy audiences wanted more. In 1938, many “pazoozas” were plunked down at the box-office to view “The Brave Little Tailor, ” an elaborate Technicolor production–their most ambitious to date. In it, Mickey becomes an unwitting hero by outwitting a giant, much to the delight of Minnie, who portrays an adoring princess.

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A rare look “behind the scenes” as Minnie enters her dressing room after a

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